Are you writing a play? Or playing The Sims? Ulises Ramiro There's a genocide happening in Sudan. Being gay in Saudi Arabia is punishable by death. 90% of people in Syria live below the poverty line. The list of horrible things going on in the world goes on and on and on. So why the hell do I care about four high school girls hanging out in their parent's basement in the suburbs playing The Sims? Eliya Smith's Dad Don't Read This takes a setting and premise likened to that of

A superb production rocks The Cell Molly Serenduke There are times in theatre that a piece extends its hand at something far out of reach for most plays. James Clements' Beauty Freak is one of those pieces. To begin, the play makes you root for and feel bright and energized and riveted about a Nazi, Leni Riefenshtal. The play's ability to do this is the work of a top-tier collaboration between Clements, director Danilo Gambini, the entire design team and the star Baize Buzan.

Molly Serenduke There’s nothing like gasping with 295 other people to make you remember why you love theatre. Bubba Weiler's Well, I’ll Let You Go expertly involves you so that said gasp, and other wonderful moments, are inevitable. I saw the original run of Well, I’ll Let You Go in Brooklyn last summer, and was worried the change of venue would make the show lose some of itself. It did not. I was worried the casting changes would take away from the allure. It did not. I was